This scene shows
Norman Bates looking through the wall to the room where Marion is staying. He
is watching her as she undresses before she has a shower. The scene has low key
lighting and the shadows are covering the majority of Norman’s face which foreshadows
the truth behind the murders. This voyeuristic act by Norman illustrates Laura
Mulvey’s “Male Gaze” theory, and shows the audience the first sign that Norman
is psychotic. This is also the first
sign we see that Norman is attached to Marion in an abnormal way. This scene is
the most prominent presentation of voyeurism from auteur ‘Alfred Hitchcock’. In
real life, Hitchcock himself was a voyeur fascinated by blonde women. In many
of his films he would enjoy watching blonde women suffer as they acted out the
scenes he specifically wrote for blondes. An example of this is the shower
scene in Psycho and it is rumoured that Hitchcock made sure the water used was
ice cold so that he could watch the blonde actress suffer and scream. The angle
of this shot allows us to see the concentration on Norman's face as he is
watching Marion, and it purposefully shows us the darkness covering Norman’s
mind which represents the part of him that he created to deal with his mother’s
death and shows his schizophrenia.

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